I have been fascinated by scientific topics and art since I was a teenager.
At the age of 14, I made my first acquaintance with the microcosm; I was fascinated by the hidden and colourful.
Fortunately, at the age of 19 I was able to apply my earlier interests and knowledge professionally. At that time, I was involved in the development of paints; pigments were part of my colourful everyday life. It was in this context that I had my first artistic experiences with different colours and paints. I worked on centrifugal paintings in which the centrifugal force and the placement of the colours were skilfully staged.
After this first experimental artistic experience, I discovered hidden treasures in the gravel banks of the Danube. These inspired me to develop a special washed concrete technique, which I patented in 1984.
The microcosm was much more mysterious to me. It demanded my intensive study, which still fascinates me today.
It wasn’t until 1999 that I was able to visualise its invisible world in such a way that it could find its way into art. Since then, I have been continuously developing bacteriography and, subsequently, bacterioaesthetics. In 2024, I discovered the challenge and joy of potentised painting.
The constant companion of my scientific research and my artistic work is reverent amazement.
A passion that manifests itself in material form is collecting exclusive historical light sources and the associated technical literature. This is a journey back in time through electric lighting, starting in the first half of the 19th century.

